How it was lit: Fervor
My first time using artificial light on location
It’s been a few weeks since I’ve done this shoot, but I’m so happy I can finally talk about it: my very first time using artificial light outside. When I became a broncolor GenNEXT ambassador, I quickly knew I wanted to have the possibility to work outside as well – as I felt that was something I rarely did anymore. Mostly because I felt uninspired and I love how I’m able to use artificial light to create certain moods and feelings – but it was something out of my reach. This entire set was shot with a Siros 800 with just one modifier (a Softlight Reflector with diffuser) and being able to just pack it up and go is pretty mindblowing. Everything is battery charged and I made it through the entire session with just two, with the second still going strong and steady.
For this specific shoot I had some of my favorite people on set: Eline Deblauwe who was taking care of hair and make-up, my gorgeous muses Luce Del Sole & Van Spooky Pants, with dresses by Church Of Sanctus – a London base independent vegan brand – and amazing jewelry by Finnish designer Eero Hintsanen.
For this one I only took one modifier with me – as I had this idea to create very deep and contrast like images with the urban location we had in Antwerp: which was the Siros 800 and the Softlight Reflector with a diffuser. I did my first try with Spooky and it took me a bunch of attempts to figure out the “how” as the first images looked like the (what I don’t like) typical look I see very often with artificial light outside.
It all came together the moment I positioned my model against the beautiful, strong evening light we had on that fall day and I used the light to fill in my model rather than to use it as a main light. And that was basically the magic I was looking for. The first try (with Spooky) resulted in some heavy chromatic aberration (which I’ve been able to work away), for the second shoot I positioned my model in a more overcast setting and used the shadowplay of the building we where shooting under for a different kind of look.
I positioned my light mostly on the left, angled up at a 45 degrees downwards while the rest of the image was mostly lit by the evening light. It resulted in a deep, contrast like set of images without losing any details and an absolute minimum for editing. Most I had to do was color conversion and adjustments to contrast and light – with just a few minor distraction removals.
And on that note: The Siros 800 is an absolute beast - the HS (High-Speed) was able to balance out the beautiful evening light and merge both light sources together. It is definitely visible it’s not only using natural light, but it doesn’t has this overpowering feel to it like in my first tests and that was the look I was going for.
I shot a second set near the water, which was a bit more tricky as I had more natural light and the sun was setting, but again I was able with some minor adjustments to get it all done and ready to shoot with a similar set-up as before. As before, in post-processing I barely had to do any editing as everything just flawlessy came together on set.
I will be going outside again shortly to try more of this, this time with colored gels and/or more modifiers but that will be for another blog. Thank you for reading and I hope you enjoyed!
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