How it was lit: Wynvyre (part 2)

In my previous blog I shared the first part of this session I shot with some of my favorite people - while my original intent was to work with just one light on set; I found myself incredibly inspired by how everything came together and I wanted to try something I wanted to do and try for a while: how does light (the absence) of light affect a shoot when shooting the exact same concept and styling? How does color changes the mood? And what would happen if we add more lights to enhance details in hair and make-up?

This session was perfect for it - as it had a beatiful hairstyling by Eline that would look incredible when using some backlit light; with also the red of the dress being an amazing combination with teal, my favorite kind of colorgel to use. While our first set was a minimum set-up of only using one broncolor light and an octabox; I’ve used almost my entire set of lamps for the following session: a siros 800 with a softlight reflector, my picolight with a fresnel and the move 1200 l with the octabox. I also changed the backdrop from dark grey to black - as I wanted just a minimum of “color bleeding” to distract from my subject. Lastly I kept the reflector on the right to ensure there wouldn’t be too many deep shadows.

It’s a set-up I never tried before - but I really loved how it all came together, better than I had anticipated in advance actually: I decided to use my picolight with fresnel on the left as the main highlight point of my image - giving just a little bit more strength so it would draw our eyes first there. Because broncolor their gear allow me to go even a tenth of the strenght, I could really work it in detail how much I needed, while equally doing the same on the other side to ensuring that my softlight reflector would give enough strength without dominating the scene. I wanted both lights to give a backlit feel in the hair and give a beautiful rimlight on her face and body.

To compensate the mostly backlit set, I used the octabox to fill in the remaining of the portrait I was taking - as I still wanted all the details of the make-up, hair and and styling to be clearly seen.

In post-processing I only enhanced the colors, mostly the red and teal, finished with some minor dodge and burn and cleaning up some distractions. For this capture one pro has been a massive gamechanger as I’m able to work much more in depth with my color work without affecting the quality of my images.


Want to read more about part 1? You can find my first blog where I shot the same set with just one light and a reflector by clicking the link!

LucyWarrior10.jpg

Gear I’ve used

broncolor move 1200L + octabox
broncolor picolight + fresnel attachment
broncolr siros 800 L + softlight reflector p
Giant white reflector

Shot on a Canon 5D Mark III with a 50mm 1.4
Edited in Capture One Pro & Photoshop

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Credits Creative team

Model - Luce Del Sole
Makeup & Hair - Eline Deblauwe
Dress - Maria Heller designs
Spine Necklace - Eero Hintsanen
Photography & Retouch - Laura Sheridan / Studio Sheridan’s Art

Light Diagram

Made with the light Diagram Creator

Made with the light Diagram Creator

The Silver Spine

There are a few things I really wanted to do this year as part of my resolutions and one of those was expanding my service and business. Especially now I’m pursuing photography as a full-time career for almost three years now - I’ve been blessed to work with some of the most talented people on this earth and to be able to capture their gorgeous designs. From armor to dresses to wearable art and jewelry, pretty much you name it and I photographed it on someone.

But I can’t sit still and I’m always looking how I can expand myself and my business - and the idea of starting to incorporate “non-human” photography in my work has been on my mind for ages. So at one restless evening I decided to put things in motion. A bit before I had bought a few sheets of plexi and a mirror for some concepts I had in mind for portraiture - and I decided to use it and my broncolor gear to see what would happen if I took this gorgeous spine design by Eero Hintsanen and capture it like I would do it when a model would wear it: the light had to be pretty much perfect. And it needed some color. And I wanted to showcase all the beautiful details.

Once I got started on it - I was actually surprised on how much fun I had with this. While I still have tons to learn about it - it doesn’t feel as different as to shooting with a person as it’s all about making a beautiful composition and capturing the work.

For the actual shooting I wanted to try a few things: because the spine has such a specific look I really wanted to incorporate color into this, as it felt very otherwordly and almost like a piece straight out of a science-fiction movie. I decided for a very high key set using teal for the shadows. With the other two I wanted to explore what it would give using only white light and a reflective surface, with the other going for a very dark and monochrome theme.

The most important part for me was to explore the things I saw into my head and how I would translate this - but with the broncolor gear and some quick thinking I am actually really happy with these first results!

Currently this is becoming a quick growing part of my business and I’m already working on a ton more sessions and product shoots - so stay tuned! Video is also high on my list and I’m very excited to dive back into that as well. Really excited to share it all with you soon.

Find the blog & light diagram about this shoot here:  Wynvyre - Part 1 .   The spine worn by Luce Del Sole - Hair & Makeup by Eline Deblauwe - Dress by Maria Heller Designs - Photography & Edit by Laura Sheridan / Studio Sheridan’s Art.

Find the blog & light diagram about this shoot here: Wynvyre - Part 1.

The spine worn by Luce Del Sole - Hair & Makeup by Eline Deblauwe - Dress by Maria Heller Designs - Photography & Edit by Laura Sheridan / Studio Sheridan’s Art.


“The Silver Spine”

Piece by Eero Hintsanen
Lights provided by broncolor
Photography & Edit by Laura Sheridan / Studio Sheridan’s Art

* Click images to enlarge *