50 Shades Of Summer

50 Shades Of Summer

A “sunglasses lookbook” inspired photoshoot


*** This project is shot for the broncolor GenNEXT blog ***

I’ve been wanting to shoot a lookbook with sunglasses for a while – I always had some lowkey obsession with interesting looking sunglasses and I’ve been collecting them for the past ten years now. Since I’ve lately been feeling inspired by approaching my work in different themes and directions, I  wanted to dedicate this blog to one of those. Using artificial light on location is one of those and because it has become so incredibly easy to do with the Siros 800 – I’ve been taking any opportunity so far to practice in any light opportunity out there. With this shoot happening at noon – with what is considered one of those “worst natural light” conditions (or it used to be for me at least). Another motivation and inspiration behind this shoot is trying new themes – as I usually shoot  a lot of fantasy inspired work - and I had been collecting a lot of interesting styling in various second hand stores over the past year or two just for that purpose alone.

I asked my model, Saida, if she was down switching the concept of the shoot the evening before and go outside for it instead – which she happily agreed too and we met up in Antwerp city itself. My initial idea was to use a lot of interesting angles, capture the buildings in the backdrop and really give it an urban vibe. But when we went to the first location -  I saw there was a ferris wheel which served as an even better backdrop. After shooting the first set there, in the full sun – we decided to go to another location about 50 meters further as the weather was getting too warm for us to handle. Which ended up being even better than my first idea and we inspired on the spot on how to work it all out, resulting in the remaining results

For all of these I only used a single light, a siros 800 with a 60x100cm softbox , which is what allows me to work in almost any light situation – be it in the full sun like with the ferris wheel or as either a fill in light for the softer sets. Or even to create strong, dramatic light. It’s versatility is incredible awesome and allowed me to create a range of images that are pretty awesome, despite it being just a two-woman team on set where I had to take all creative direction on me. I did forgot my weights for the tripod so we had to slightly improvise to ensure my tripod wouldn’t trip.

Everything is shot in HS (high speed) as I prefer working with a wider aperture, with all of those being shot with a 50mm and an aperture from 1.4 to 1.8 , resulting in a beautiful bokeh in the background.

Shot on a 5D mark II with a 50mm 1.4
Lights used is by a broncolor 800 with a 60x100 cm softbox

Edited in Capture One Pro & Adobe Photoshop


- Please click images to enlarge -

Some behind the scenes, including “Edward The Duck” we was hanging out with his ladyfriend “Eufrasie” (not pictured) with us for a while.

How it was lit: Wynvyre (part 1)

For a while I’ve been wanting to back to my “roots”  - both technically and by my artistic visions. The fantasy genre as a whole has always deeply fascinated me and it lead me to shooting an entire (ongoing) series about it called “Arcadia” . But while I love elaborate costumes and people wearing armor, using a lot of practical effects in post-processing and really pushing myself with trying out new techniques – I felt I wanted to do something both “simple” with light as directly inspired by my oldest sources of inspiration: which is “high fantasy” – specifically I wanted to go for an elven queen.

For this I asked some of my favorite people to work with: Eline Deblauwe – who has been doing all of my hair & make-up in both my paid as personal work lately and Luce Del Sole as model. Both because I call her ‘my living elf’ for her grace and beauty, but also because she had the physique I was looking for. For styling I wanted to try and capture one of my favorite designs ever made by Maria Heller Designs – who has created a modern pre-raphaelite inspired gown. Lastly – we decided to give it one final touch by adding the silver spine necklace that Finnish designer Eero Hintsanen has send me to capture – which also became a very big influence in our visual styling.

We decided to give her loose braids, wrapped around her head – mimicking the spine but also creating a crown-kind-of-effect. For the colors, the most important part of my shoots usually: we had to consider working with some more difficult to combine colors: silver & gold. Her hair feels very “golden” and we had the gold ribbon on her dress – which kind of clashed with the silver spine, we decided to make the “warpaint” silver to tie everything visually together into a cohesive set.

Technically I decided to use  my to-go-to set-up I used for the past years: using a single octabox with a move 1200 l and a giant reflector on the opposite side to ensure I had some light to bring out the details on the shadow-side. A big change for me was not working on a black backdrop; but using a dark grey to make it a more muted yet deeply, rich color.

Find the second story of this shoot here: “Wynvyre - part 2” . Links will be updated once the new blog is released!


Gear I’ve used

broncolor move 1200L
broncolor octabox
Giant white reflector

Shot on a Canon 5D Mark III with a 50mm 1.4
Edited in Capture One Pro & Photoshop


Credits Creative team

Model - Luce Del Sole
Makeup & Hair - Eline Deblauwe
Dress - Maria Heller designs
Spine Necklace - Eero Hintsanen
Photography & Retouch - Laura Sheridan / Studio Sheridan’s Art

Want to read more about this shoot? You can find a more in-depth article exclusively on my Patreon from just the 5 dollar trier as well as tons of other content! Follow this link to the article if you want to find out more about my choices.

Made with the light Diagram Creator

Made with the light Diagram Creator

- Click the images to enlarge for the entire editorial -