Game Of Thrones: A Song of Queens & Ruins

I love Game of Thrones, as a geek, even way before the series where ever talked about. I think I had my first book of George R. R. Martin - which was the first book of GoT as we know it now - somewhere back in 2006, maybe 2007. Makes me feel old but hey - here I am nonetheless shooting one of my first shoots inspired by someone else their lifework!

The whole idea started when I reached out to Fairytas, asking if I could borrow any of her jawdropping amazing designs for another session in the Abbey of Villers because it’s my favorite place and I’m obsessed with her work. It felt like a match made in heaven. To my luck, she said yes and said she had the “red corset and cloak” I could borrow and kind of throw me of my chair when she showed me the actual design. If I wanted to borrow it of course. Needlessy to say I never said “yes” so quickly in my freaking life hahaha.

There was one lady I had in mind from the start and thats my dear friend Lucy aka Luce Del Sole, who we decided would be a great embodiement of a “Cersei” inspired character. Bitchface and wine in hand and all we love and like about the character. Considering our Lucy is one of the sweetest souls on earth, it was a hell of a lot of fun seeing her transform in some badass queen who takes no shit on set.

For this I knew I wanted to work again with my broncolor GenNEXT gear - specifically the siros 800 which is my current favorite as it’s so easy to transport, I have three batteries and I set it up anywhere with one of my tripods and a modifier. For this I wanted to keep it simple and just use the 60x100cm softbox as it gives a really nice fill in light that would work for almost all my 1-light setups - and at the same time allow me to practice and play around. It was one of my first bigger shoots using natural and artificial light together so I decided flexibility was the way to go.

We started shooting around high noon, which was basically super bright crazy hard sunlight I really do not like working with and definitely did not see for this set. But what I do like about bright sunlight is the gorgeous backglow it gives - so I positioned my model almost entirely with her back to it and used the siros on HS (high speed) so I could keep my aperture open for that bokeh I adore so much without having overexposed images. I pretty much decided to keep doing this for the rest of the shooting through all sets as this was exactly what I had in mind - and as extra, made the colors of the costumes and details pop out amazingly gorgeous.

For me this was one of the first times I felt I was able to use artifical and natural light like I had imagined it and it has inspired me to do a ton more shoots now (of which two more have already been shot). What I also love so much about it is basically the realisation right now that I have a lot more control about the light when working on location - which is gold for future potential clients. Since I’m lately obsessed by becoming technically better - I’m working on my weak points and that is mastering any light (and combination).

For this I do have to thank my amazing team: Lucy (Luce Del Sole) as model, Fairytas for letting me shoot her gorgeous designs, Shienra for being an awesome asisstant and friend, Lumecluster who has been collaborating with me with her epic Phoenix Gauntlets and of course: broncolor for choosing me to be part of the GenNEXT 2018 broncolor ambassadors. And of course: Abbeye De Villers for being such an awesome piece of heritage we can work at!

_U5B9053 (1)_1.jpg

Some behind the scenes I shot in between, everything is shot with both artificial as natural light.