Battle Fairies: Aelesia The Harbinger
- Behind The Scenes -
Can you organise a kick-ass shoot in less in just a few hours for the day after? I had this situation many times by now but every single time it’s like a little gamble, even though the worst that can happen is that you don’t have the results you where hoping for but still had a good time just hanging out with likeminded, crazy creative people … It may also result in some of those “this is it” moments. For me, this is one of those.
I came from a meeting for the spring shoot for Historische Huizen Gent when I passed by the park where I saw these gorgeous trees with the blossoms in full bloom. And as my brain works, I realised in that split second I needed to shoot something cool there. I immediately went to my Riddersquad group on Facebook (an inside joke that became a thing, it’s basically where I post all my calls for my regular team members when I got a random idea) and asked who was down getting dresed up in armor, wings and pretty dresses.
My first response was Lady Louiza and Saartje Van Den Haute who where both free for the afternoon - followed by My Fragility who coincidentally was at the hairdressers to get her hair dyed pink. If that isn’t the universe doing it’s magick, I don’t know what is …
Since I know My Fragility is one of my badass chicks, I decided to give her one of my long-term ideas which I lovingly call my “Battle Fairies” as in my head it just sounded pretty damn awesome. As usual I had 0 ideas how it would turn out for real on set … but in all it’s unfunctional glory - it turned out pretty damn awesome. There is something cool about the delicate nature of the flowers and a flowy white dress worn by this petite pink haired model with fairy wings & this upper body set of armor.
Canon 5D Mark III
Canon 50mm 1.4
broncolor siros 800
an Ikea chair.
For the sets I decided to bring one of my broncolor lamps, which is the siros 800 and a regular softbox (60x100 cm) - because it’s such an easy and functional piece I knew I could more easily practice and see what would happen. Working with artificial light is still fairly new to me but I really feel I’m getting the hang of it: it’s a pretty awesome and versatile way of working, which also works incredibly well in my style of photography because it feels much more cinematographic. Maybe it is because I’ve been doing almost only studio for 3 or 4 years up until now - I just feel it “clicks” together. Especially because I wanted a lot of color: I decided to use a teal colorgel for the first set: this would complement the pink flowers and her hair and give some colorful depth to my images. I knew the wings (who are more towards a pink/red/black shade) where also pretty reflective so that helped to really bring everything together.
For the second set I wanted a more monochrome color theme, so I switched to a pink gel (which I also used for the b/w set). It’s a different approach and my heart lies most with the colorgasms that the first set is - but I can definitely see a lot of potential in this approach and I really want to try out more of this.
Some more practical stuff is: because I always try to avoid any disturbances to my location and set I’m working on and at the same time, also want to avoid any composing and/or altering my work; I had to diy and wing it a bit. I have a deep love and respect for any composite artists out there - but it’s just not my thing at all. So I brought one of my posing chairs and asked my model to stand on it (usually where there was a gap between the branches), bringing her high up in the flowers without any alterations to my location. It also allowed for some gorgeous angles from my side, which was an extra plus.